Menu

Station Eleven - Page 45/233

“You have permission to leave?” he called out.

The conductor motioned to the first flute, who was driving the lead caravan—keep moving—and went to speak with the boy. “Good evening,” she said. Kirsten stopped walking and lingered a few feet away, listening.

“What’s your name?” he asked, suspicious.

“People call me the conductor.”

“And that’s your name?”

“It’s the only name I use. Is that dinner?”

“Did you get permission to leave?”

“The last time we were here,” she said, “no permission was required.”

“It’s different now.” The boy’s voice hadn’t broken yet. He sounded very young.

“What if we didn’t have permission?”

“Well,” the boy said, “when people leave without permission, we have funerals for them.”

“What happens when they come back?”

“If we’ve already had a funeral …,” the boy said, but seemed unable to finish the sentence.

“This place,” the fourth guitar muttered. “This goddamned hellhole.” He touched Kirsten’s arm as he passed. “Better keep moving, Kiki.”

“So you wouldn’t advise coming back here,” the conductor said. The last caravan was passing. Sayid, bringing up the rear, seized Kirsten’s shoulder and propelled her along the road.

“How much danger do you want to put yourself in?” he hissed. “Keep walking.”

“Don’t tell me what to do.”

“Then don’t be an idiot.”

“Will you take me with you?” Kirsten heard the boy ask. The conductor said something she couldn’t hear, and when she looked back the boy was staring after the departing Symphony, his squirrel forgotten at the end of the stick.

The night cooled as they left St. Deborah by the Water. The only sounds were the clopping of horseshoes on cracked pavement, the creaking of the caravans, the footsteps of the Symphony as they walked, small rustlings from the night forest. A fragrance of pine and wildflowers and grass in the air, the stars so bright that the caravans cast lurching shadows on the road. They’d left so quickly that they were all still in their costumes, Kirsten holding up her Titania dress so as not to trip over it and Sayid a strange vision in his Oberon tuxedo, the white of his shirt flashing when he turned to look back. Kirsten passed him to speak with the conductor, who walked as always by the first caravan.

“What did you tell the boy by the road?”

“That we couldn’t risk the perception of kidnapping,” the conductor said.

“What did the prophet say to you after the concert?”

The conductor glanced over her shoulder. “You’ll keep this to yourself?”

“I’ll probably tell August.”

“Of course you will. But no one else?”

“Okay,” Kirsten said, “no one else.”

“He suggested that we consider leaving Alexandra, as a guarantee of future good relations between the Symphony and the town.”

“Leaving her? Why would we …?”

“He said he’s looking for another bride.”

Kirsten dropped back to tell August, who swore softly and shook his head. Alexandra was walking by the third caravan, oblivious, looking up at the stars.

Sometime after midnight the Symphony stopped to rest. Kirsten threw the Titania gown into the back of a caravan and changed into the dress she always wore in hot weather, soft cotton with patches here and there. The reassuring weight of knives on her belt. Jackson and the second oboe took two of the horses and rode back along the road for a mile, returned to report that no one seemed to be following.

The conductor was studying a map with a few of the older Symphony members in the moonlight. Their flight had taken them in an awkward direction, south down the eastern shore of Lake Michigan. The only reasonably direct routes to their usual territory took them either back through St. Deborah by the Water, or close by a town that had been known to shoot outsiders on sight, or inland, through a wilderness that in the pre-collapse era had been designated a national forest.

“What do we know about this particular national forest?” The conductor was frowning at the map.

“I vote against it,” the tuba said. “I know a trader who went through there. Said it was a burnt-out area, no towns, violent ferals in the woods.”

“Charming. And the south, along the lakeshore?”

“Nothing,” Dieter said. “I talked to someone who’d been down there, but this was maybe ten years ago. Said it was sparsely populated, but I don’t remember the details.”



Category

Discovering the World of Free Online Novels

In an age where digital access is at our fingertips, the world of literature has evolved significantly. For book lovers and avid readers, the prospect of finding and reading novels for free online is not only exciting but also incredibly convenient. Whether you're looking for classic literature, contemporary fiction, or niche genres, there are countless resources available where you can indulge in your reading passion without spending a dime. Let's explore how you can dive into this literary treasure trove.

Why Read Novels Online for Free?

Reading novels online for free offers numerous advantages. For one, it eliminates the need to purchase physical books, saving you money and space. Additionally, with instant access, you can start reading as soon as you find a novel that piques your interest. Online platforms also allow for a vast selection of genres and authors, including rare or out-of-print titles that might be hard to find elsewhere.

Top Websites to Read Novels for Free

Several websites offer free access to novels, whether you're interested in classics, contemporary works, or indie publications. Here are a few reliable sites:

Legal Considerations

While the idea of free books is appealing, it's essential to ensure you're downloading or reading novels legally. Many websites, like those mentioned above, offer books that are in the public domain or have been released for free distribution by the authors. Always check the licensing terms of a book before downloading it to avoid any legal issues.

Genres to Explore

Whether you’re into romance, mystery, science fiction, fantasy, or historical fiction, there’s a wealth of free online novels available in every genre. Sites like Wattpad and ManyBooks categorize novels by genre, making it easy to find what you’re interested in. If you’re in the mood for something classic, Project Gutenberg has a treasure trove of time-honored works from authors like Jane Austen, Charles Dickens, and Mark Twain.

The Rise of Indie Authors

One of the most exciting aspects of reading novels online for free is discovering new voices. Many independent authors publish their work online for free to build an audience. Platforms like Wattpad have become launchpads for these writers, some of whom have gone on to publish bestsellers. By reading these novels, you’re supporting up-and-coming authors and getting in on the ground floor of potentially the next big literary sensation.

Community and Interaction

Reading novels online often comes with the added benefit of community interaction. Platforms like Wattpad allow readers to comment on chapters, interact with authors, and even contribute to the story's development in some cases. This level of engagement can enhance your reading experience, as you become part of a community of like-minded readers.

Accessibility and Convenience

With the ability to read on various devices—be it a smartphone, tablet, or computer—free online novels offer unparalleled convenience. You can carry an entire library in your pocket, ready to be accessed anytime, anywhere. This is particularly beneficial for those who travel frequently or have limited physical space for books.

Conclusion

The availability of free online novels has transformed the reading experience, making it more accessible and diverse than ever before. Whether you’re a fan of classic literature or looking to discover new indie authors, there’s something out there for everyone. By exploring the many free resources available, you can immerse yourself in the world of literature without any cost, and enjoy the freedom to read whatever, whenever you want.

So why wait? Start your journey into the world of free online novels today and discover a universe of stories waiting to be explored.